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Stockings and Suspenders

 

Suspenders  (or garters)

Terminology differs depending on which side of the Atlantic you live. The British use suspenders, the Americans, garters. 

 

How many suspenders?

The following comment is interesting since it was clearly aimed at teenagers in the 1960's.

Candy Jones, “Just for Teens”, 1967
“How many garters should a girdle have? To create the sleekest lines at the thighs and to keep the garment in its right position during long spells of sitting, it needs a total of six.”. So now you know.

I’ve tried an eight suspender corset but it was just too complex to hook up the stockings; six is hard enough, particularly the back ones. For elderly ladies, this is a real problem. An elderly acquaintance solved the problem by ordering her corsets with four suspenders; two at the front and one at each side. Another lady, who needs to wear rather sturdy support stockings, said that four suspenders would be too risky and kept to six. She said that she attached the back suspenders before hooking up the corset, then with the corset loosely fastened she would do the front and sides and finally tighten the laces. I use a similar technique although being younger, I’m still flexible enough to adjust the clips with the corset tightened. The lady in her 70’s wears such a long corset (it’s a full 5 inches above the waist she said) and very heavily boned that bending over after the laces are tightened is not an option. She also commented upon her corsetiere's advice that the Trendelenburg Position was optimal for lacing her corsets, that if she laced her corsets lying flat on her back, she would never retain the vertical position.

The number of suspenders is discussed further below in the section on support stockings.

 

Suspender Flashes

Many girdles have satin flashes that cover the suspenders. What purpose do they serve?
I believe they were put there for several reasons:-

- They look very classy and hide the functional suspender.
- They cost money and were optional extras on custom made garments, thus persuading the woman that in some way they enhanced the garment', which they did. 

- The sales pitch could suggest that they hid the suspender bumps*, which they didn't.

- Sometimes, the flashes were mounted on the inside of the suspender to protect the sensitive skin from the metal.

- They also allowed the corsetiere another route by which to extract that little extra commission.

But lastly, being made of satin, they did what satin does well, and that is to allow the over-riding skirt lining to glide across the suspenders rather than snag against them. 

 

Various manufacturers tried their own solutions and I have shown some examples below from the Ivy Leaf collection.

On the left, this French girdle has the ribbon attached to the bottom edge of the girdle passing inside the suspender and then feeding through the top of the metal frame to cover the outside. In the middle, another French company simply loops the flash through the top of the suspender frame, thus covering both the back and the front. In the American Spirella on the right, a simple and practical solution, that was used by Spencer until recently, was to cut the suspender elastic a couple of inches longer, so that it hung down the back of the frame to protect the wearer's legs. 

 

*The famous 'suspender bump' was never entirely hidden when wearing close-fitting  or sheer garments. No manufacturer expected the impossible and the Gossard corsetiere's guide simply talks about minimising the problem by use of the satin flashes, and careful positioning of the suspenders themselves.

 

The flashes on the French corsets above put a finishing touch to the garment which speaks volumes for an age of elegance that is all but forgotten.

 

Whilst we are talking about suspenders, the following arrangement came to my attention. The 'Camp' style 'swing suspender is well known. It allows free fore and aft movement of the side suspender whilst the wearer is walking. However, the 'glide' suspender, which appeared briefly of several Gossard girdles is a novel way of achieving the same ends. It didn't last, which suggests that Gossard's engineers may have under-estimated the forces imposed on the 'glide' string when the wearer attempted to sit. It's bad enough having one's stocking snap out of its suspender, however, the brief snap and the slightly baggy stocking are the only give-aways. To have a pink suspender dangling as well must be truly mortifying!

 

The forces on the suspender can be huge. I've mentioned elsewhere that for decades one of the primary functions of the corset was to support the stockings. In the days of far heavier yarns and elastics, required to support those 'aching legs', the act of sitting down could literally tear the rear suspender from its mounting. 

 

Whilst we deal with the strength of strings and cords, regard the Spanish corset on the bottom left. A cheap and innovative way to attach the suspender button is shown. One suspects that this must be one of those failed evolutionary paths since the idea never caught on. If 'suspender bulge' was a problem, then this device was not designed to alleviate it! The corset to which it was attached was exquisitely constructed, so the intention was certainly not cost-saving

 

        

   

Bottom right we see an unusual (and presumably less than sucessful) attempt to attach stockings with no 'suspender bump' at all.

 

The Errant Suspender

The embarrassment of having one’s stocking detach from the suspender was always a risk whilst women wore stockings. Not that the detachment was particularly audible, or even noticeable, since the stocking would usually have one of two other suspenders to retain it. It was more the idea that, something untoward had occurred to one’s underwear. My husband remembers well that the only outward sign of his (very prim and proper) mother’s rear suspender coming drift was a muttered “Oh, Blast” (very strong language for such a lady).  She would then depart to rectify the situation.

A stocking properly attached to the suspender will not come adrift, so why did this happen so frequently? I believe it was very much a problem of the 1960’s rather than any other period. One must consider the fashion of the times. Stockings were worn by all women throughout the year, however, as skirts became shorter, so the stockings became longer. Attaching one’s back suspenders became harder and harder (a long rear suspender is far easier to attach that a small tab right up by one’s derriere). Some brands of girdle were even manufactured without rear suspenders. At this time, the suspender design was becoming more stream-lined. Cars started having heaters, central heating in the house was becoming common, and basically, a warmer population demanded sheerer fabrics. The suspender was designed to minimise its profile. As can be seen below, the old button-centred suspender was replaced by the classic ‘so-lo’ suspender as adopted by Marks and Spencer. These suspenders, especially the invisible rear ones, were all too easy to cross-thread. The tension of the stocking would allow for temporary security until the wearer sat down and stood up again. Then ‘ping’; detachment and embarrassment.

   

               The dreaded cross-thread!

Even worse was the lady who finding no stockings short enough for the unfashionable length of her corsets, would try to double over the welt of the stocking. If this thickness of material could even be accommodated, the result was usually a delayed failure.

 

Support Stockings

 

I've mentioned in several places that one of the primary functions of the corset is to hold up the stockings. This might not seem correct from today's point-of-view, but it must be realised that three or four decades ago, millions of women, whose daily chores were far more onerous than today, suffered badly from varicose veins. Mainly these went untreated surgically, and the sufferer was sentenced to wear what effectively varied from support stockings to surgical stockings. They were fairly obvious to the casual observer being rather shiny, and, in full surgical weight with latex rather than lycra yarn, with a distinct odour. 

Oh Dear. How blunt was the advertising in the 60's! The elderly were made to feel just that.

In the 1950's, it was not that unusual (for these garments were readily available from mainstream mail order houses), to find a middle-aged woman wearing a rubber corset, or worse, a rubber corselette, complete with latex yarned stockings. An elderly gentleman of my acquaintance, commented on his wife who wore such a combination of garments; "You know, the old girl used to pong a bit in the hot weather!"

The strength and weight of these support stockings outranks that of some of today's so-called 'shapewear'. As with girdles and corsets, so detailed instructions as to how to put on the garment was quite critical. A firm corset or girdle was absolutely necessary to counter the ferocious pull of these stockings. Six non-elastic suspenders was deemed critical to accept the tension. 

It may well be, that as varicose veins became an affliction of the past, so the necessity for the corset and girdle to act as an immoveable anchor also waned. 

I do know of one lady who ordered her corsets with an amazing 12 suspenders; six non-elastic and six elastic. The former held up her surgical stockings, the appearance of which she detested. The latter supported a pair of fashionable stockings worn over the top as a disguise. This lady accepted the daily chore of affixing 12 suspenders as the cost of her vanity. For those modern women that consider this to be far fetched, I refer them to the packet of Duribilknit support stockings from 1960. "Fashioned to be worn with or without regular stockings".

Today the forces and tensions of a woman's foundations four decades ago are almost unknown and to many youngsters, virtually unbelievable.

The reference above to surgical stockings is repeated several times in correspondence from Spirella corsetieres. It was a clever ploy by the corsetiere to gain just a little more commission. 

What could be easier, having fitted the wedding guest with new brassiere and girdle for the occasion, to persuade her that some support for her legs was required. "There will be so much standing around. You really have to consider your poor legs". This ploy was so successful that Spirella branded their own support stockings (above).

In reality, the use of these stockings post-War, once nylon had become readily available, was a boon to the millions of women who suffered from varicose veins. Before the removal of such veins became commonplace, many women simply had to wear support stockings. It raises, once again, one of the fundamental reasons for wearing a corset or girdle, and that is to hold up one's stockings. So many ladies, elegant in all other respects, were sufferers, and the tan shininess of their powerful surgical stockings was a common sight. A firm foundation was required to provide an anchor for the vertical strain on these stockings. By today's standards, there are some articles called 'shapewear' whose confining properties are not in the same league the stockings of the 1960's. It raised a genuine concern by an inexperienced aeroplane passenger. This elderly lady, confined as she was by her stockings, brassieres and girdle was concerned about what would happen to the only unconfined part of her anatomy, her head, in the pressurised cabin of the plane!

Perhaps the final word on suspenders should come from the elderly widow who was asked if she missed her late husband, "Oh yes, I really do" she replied. "I've nobody to do up my back suspenders any more!"

This article and its contents are used with permission of Ivy Leaf of "Ivy Leaf's Tribute to the Corsetiere"
No publication in part or full can be used without the express permission of Ivy Leaf

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